Picasso Blues
Arman & André Verdet
Available
€200
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Description
Provenance: Gluck50
Dimensions: 57,5 x 40 cm
Year: 1965
Signature: Pencil signature
Product conditions: Mint
Technique: Silkscreen and letterpress print on handmade paper and stamped by Arman at lower right
Arman (1928-2005) And André Verdet (1913-2004), Ritournelle pour Saint Michel.
ANDRÉ VERDET
André Verdet was one of the protagonists of French culture and art of the 20th century; exponent of the twentieth-century French poetic-pictorial critic, interpreter and esthete of Mediterranean thought, but also writer, poet, jazz musician and tireless dancer. He served in the colonial troops. His first book was published in 1939: Histoire origines du pays de Saint Paul, which was followed by numerous collections of poems. In 1941 he met the poet Jacques Prévert with whom he subsequently published four books of poems, and a young extra, Simone Signoret. He was one of the most involved in the clandestine struggle and during the resistance he became responsible for a counter-espionage and sabotage network of the “Combat” movement. He was saved from the Germans on several occasions by Prévert who also collaborated with the Resistance, helping several friends at his own risk. He is arrested and deported to Auschwitz and Buchenwald.
He repatriated in 1945 and upon his return, he published The Anthology of the Buchenwald Poems. In 1949 he returned to live permanently in Provence. Multifaceted and curious artist, painter, photographer, musician, and poet, he is the official artist of Saint Paul de Vence and has always frequented La Colombe d’or, the famous meeting place for artists on the French Riviera, where he meets and becomes the confidant and the friend of many painters such as Matisse, Chagall, Braque, Picasso, Hartung, César, Arman, Folon, Soutine, Dufy, Mario Tozzi (painter), RAM (Ruggero Alfredo Michahelles) painter, and then others younger and newer, such as Léger, Villon, Picabia and in Italy Brajo Fuso and Mario Borgna. From his stories, beautiful art books and several essays on painting were born. After publishing an almost uninterrupted series of poetry collections and albums, Verdet tried his hand at painting and sculpture. In 1977, after a meeting with Bill Wiman, bassist of Rolling Stone, and Jon Anderson, leader of Yes, he created his poetic-musical group, called Bételgeuse. At the height of his artistic maturity, he decided to also approach the world of glass, to create interesting sculptural works. During his long artistic career, he has exhibited mainly in French and Italian galleries and public institutions.
